"Edward Prostak skillfully gave us an appropriate poker face as Bernadette, delivering the best lines in the show with precise comic timing."
Keith Dougherty
meetmeinthegreenroom.com
"Edward Prostak brings a rich voice and a lovely combination of strength and vulnerability to the fading diva."
Lori Schneider
Aisle Seat
"Edward Prostak's matronly frocked transgendered Bernadette plays the comedic and genuine moments with equal clarity."
Bill Moloney
Sullivan County Democrat
as Fagin
in Oliver!
Arizona Broadway Theatre 2017
"Fagin (Edward Prostak) is less sinister than comical, a wily scoundrel and master pocket picker, who is far more endearing than any child exploiter should be. Prostak, however, is undeniably charming and alluring, with his serpentine pointer finger carving out his place on the stage and, at his endgame, wowing the audience with Reviewing the Situation."
Herbert Paine, Broadway World (Arizona)
as Vasilly
with Jessica Levesque
in Collaborators
The Storm Theatre NYC 2016
"Edward Prostak and Jessica Levesque are amusing in their cynicism."
Victor Gluck
TheaterScene.net
"Played with honesty and acidic comedy...by a top-notch cast..."
Jon Sobel
*blogcritics
as Reb Saunders
with Davy Raphaely
in The Chosen
Forestburgh Playhouse 2014
"Heart wrenching, Edward Prostak delivers a magnificent performance; fascinating were (his) chants and prayers in Hebrew. The entire cast is awe-inspiring."
J.A. Di Bello
The Catskill Chronicle
as Mr. Osso
with Joe Danbusky, Ashton Crosby and David Bodenschatz
in The President
The Storm Theatre NYC 2012
"...it's impossible not to be impressed...Carter, Fogleman and Prostak shine in smaller parts."
Ken Jaworowski
The New York Times
"The President is the most fun I've had in the theatre in a long time...with a panoply of eccentric characters...standouts include Edward Prostak as a doctor with principles (he won't fake a patient's temperature above 102.1 degrees.)"
Martin Denton
nytheatre.com
as Pish-Tush
in The Mikado
NYGASP Symphony Space 2010
"I also liked Edward Prostak's bearing and steady voice as Pish-Tush."
Bernard Holland
The New York Times
as Scrooge
with Mace Archer
in A Christmas Carol
Arizona Broadway Theatre 2009
"The acting is uniformly good and is supported by amazing costume, makeup, and wig design."
Julie Peterson
The Phoenix NewTimes
as Sen. Tad Reverent
with Laura O'Brien
in Rising Up: The Story of the Zombie Rights Movement
"Best Director Short Film" Ms. O'Brien
Boston Film Festival 2010
as Poole
in Jekyll & Hyde
Sacramento Music Circus 2007
"... a balanced, talented group of singers and actors..."
Richard Bammer
TheReporter.Com
as Col. Barrington
in Ross
The Storm Theatre NYC 2006
"as a character study, Ross is dazzlingly potent and devastating...especially memorable is Edward Prostak as the by-the-book Colonel Barrington, who is Lawrence's nemesis."
Martin Denton
nytheatre.com
as Capt. Corcoran
in H.M.S. Pinafore
NYGASP Tour 2005
"Edward Prostak brings a strong voice and great comic skills to the role of Captain Corcoran."
Chuck Lavazzi, Producer
Arts & Entertainment
KDHX, 88.1 FM
as Noel Coward
with Margaret Norwood
in The Duchess aka Wallis Simpson
Personal Space Theatrics NYC 2003
"...this production is a treat. Like a debonair ticket-seller for a freak show, Edward Prostak is terrific as Noel Coward...the play is quick and lively and this cast keeps up the pace."
Denise Mecionis
Back Stage Online
as Giuseppe
with Andrew MacPhail
in The Gondoliers
NYGASP Symphony Space 1996
"Edward Prostak and Andrew MacPhail, the gondoliers, were amusing...their duets gave a new meaning to the royal 'we'."
Andrew Tommasini
The New York Times
as Freddy
with Valerie Fagan
in My Fair Lady
Carousel Dinner Theatre 1994
"Songs such as 'On the Street Where You Live', performed to perfection by Carousel newcomer Edward Prostak...are emotional highlights."
Edward E. Ogden
The Repository, Canton OH
as Capt. of the Rachel
in Moby Dick
Bristol Riverside Theatre 1991
"Particularly effective is a duet he (Gulledge) sings with Edward Prostak. The poignant song is movingly sung and hauntingly staged..."
Douglas J. Keating
The Philadelphia Inquirer
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